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Portrait Of The Artist As A Young Man
The Primordial Soul Of Van Morrison
November 11, 2011
November 11, 2011
It's difficult to consider Van Morrison strictly as a singer. That is to say a singer in the same way that Sinatra was a singer, or that Nat King Cole was a singer, or that Johnny Hartman was a singer, or even the way that Joe Williams or Eddie Jefferson were singers. But Morrison was, Ray Charles aside, the first vocalist that my ears ever heard who simply emoted. In his early days, he snarled, spit, stomped, and sneered more than he actually sang. Injecting his songs with unadulterated emotion, the end result was raw, commanding, soulful and completely mesmerizing.
When Morrison was leading his group, Them, the combo worked as the house band at the infamous Maritime Hotel in Belfast, Ireland, a gritty dance hall that was home to working class toughs. Their residency at the hall proved to be a fortuitous workshop for the songwriter, performing night after night on the same stage, in the same room with a growing and appreciative audience of regulars who welcomed his band of angry young men. The comfort of this setting allowed he and his band members to freely woodshed in an atmosphere that provided them not only with the artistic leeway to stretch the boundaries of their live performances, but also to receive immediate feedback on those experiments from an audience that fully supported their excursions. Frequently working without a net --- no defined set list, no restrictions, no expectations --- Morrison and the band often improvised, feeding off the energy of the moment and the tenor of the crowd. Essentially, they achieved the equivalent of musically painting on an open, empty canvas.
This is where the songwriter first developed his stream-of-conscience approach to lyrical content --- a technique not as simple as it may at first seem. When he later embarked on his solo career, he began expanding on these free association narratives --- ruminations that sprang from somewhere deep within his psyche. The new technique added to the expressiveness of his vocalization, and signaled the beginnings of his own brand of unconventional poetry. Songs like 'Who Drove The Red Sports Car,' 'Beside You,' 'T.B. Sheets,' 'The Back Room' and 'Madame George' are all highly personal and symbolic reflections. They may not entirely make sense to us as third party observers, but then the experiential window that Morrison provides us is intended to be from the perspective of our standing outside looking in. As he continued to grow as a songwriter however, he perfected this approach, now shifting the viewpoint to us being on the inside looking out. Simultaneously, his narratives became something closer to meditations, or personal confessions. It was, and still is powerful stuff, and plenty soulful too. In fact as time when on it even developed into its own genre. However, unlike blue-eyed soul, this was a classification applicable only to Morrison himself. One that was not only deep, artistic, heartfelt and expressive, but extremely sensitive and transcendental as well. It was Caledonia Soul and you can hear the genesis of it in the two sets offered below. Then in the months to come, we'll explore his spiritual journey further.
'Portrait of the Artist as a Young Man, Vol.1'
1) Mighty Like A Rose
2) One Two Brown Eyes
3) Could You, Would You
4) Send Your Mind
5) Don't Look Back
6) I Can Only Give You Everything
7) Call My Name
8) One More Time
9) Here Comes The Night
10) My Lonely Sad Eyes
11) The Story Of Them
12) Beside You
13) The Back Room
15) Hey Girl
17) Baby, Please Don't Go
19) T.B. Sheets
'Portrait of the Artist as a Young Man, Vol.2'
1) Stormy Monday
2) Who Drove The Red Sports Car
3) Brown Eyed Girl
5) Friday's Child
6) Little Girl
7) If You And I Could Be As Two
8) It's Alright
9) Spanish Rose
10) The Smile You Smile
11) Baby, What You Want Me To Do
12) Goodbye Baby (Baby Goodbye)
13) Mystic Eyes
14) Joe Harper Saturday Morning
15) It's All Over Now, Baby Blue
16) Richard Cory
17) Midnight Special
18) He Ain't Give You None
19) Madame George
Source material for
'Portrait of the Artist as a Young Man, Vols.1&2'
comes from the following:
Van Morrison/Bang Masters (1991)
Them/The Story Of Them (1997)